I have put together a visual representation to show the research and data i have collected for audience. I have picked 5 films, similar to the film that i am planning to make. The genre of these films are similar as they are mostly horror, detective or thriller films. To gain this research i used the helpful BFI website, allowing me to pick out the relevant quantitate data i needed and then go on to make pie charts for gender and age for each film. This gave me a better visual representation and clearly showed me what sort of people watch these specific films. I also collected qualitative data, showing the audiences opinions on the films they watched.
Saturday, 27 December 2014
Tuesday, 9 December 2014
Thursday, 4 December 2014
REPRESENTATION: SOCIAL GROUPS
In today's lesson i created a Pinterest board to show the social groups that i would expect to see who would watch my film. By using Pinterest i am able to show who my social groups will be in a clear and formatted way. According to what the topic is, that picture will go in a certain board group, to clearly set out the different topics that i will be making. My first board is for social groups, and for each picture i have "pinned" i have said why it fits into my social group.
Click the picture to the left to go to my live Pinterest board for social groups.
Click the picture to the left to go to my live Pinterest board for social groups.
This is a spooky house, in a rural location, with nobody around, very isolated old house.This is where the kidnapper lives, emphasising his strangeness. Furthermore, the house looks unloved, with nobody properly looking after it, this suggests that he hasn't the money to stabilise and do up the house, representing his lower class in society. This may intrigue the audience as particular social groups are interested in spooky, deserted houses as they may ask themselves - what does he get up to in that house? why does he live there? why has he cut himself off from the rest of the world? This therefore adds suspense and suspicion to the film and the character.
Dark hooded man with his face being half covered by shadow and his face is blurred and not in focus with the camera, emphasising his mysteriousness and trying to protect his identity. He is also holding a gun at someone/thing, highlighting his dangerousness and how he is possibly capable of murder. this is similar to the kidnapper in my film opening as there is a scene with a gun in it. This will interest young teenagers or young men/ women as they tend to be interested in horror/detective films.
Wednesday, 3 December 2014
DISTRIBUTION CASE STUDY: TORTOISE IN LOVE:
In todays lesson I watched the trailer for the film "Tortoise In Love" and then researched the film to see how they were able to distribute their film. With the help of BFI Print and Advertising, a small, crowd-sourced film was able to gain distribution. Its story is told HERE.
As i am making a low budget, independent film myself, it was interesting to see how this particular film producer was able to get their film released and to a wider audience and i intend to do similar things to gain distribution for my film.
This is the official website for the film. Click HERE to preview the site.
As i am making a low budget, independent film myself, it was interesting to see how this particular film producer was able to get their film released and to a wider audience and i intend to do similar things to gain distribution for my film.
This is the official website for the film. Click HERE to preview the site.
DISTRIBUTION: THE HUNGER GAMES
In todays lesson I tracked how distributors publicized The Hunger Games: Mockingjay. From my research I learnt that distributors use a variety of different methods in order to distribute their film and when I market my film I would make do things such as creating a twitter, tumblr and Facebook page aswell to publicise my film. Below is a slideshare presentation to shows how they have done this.
Tuesday, 25 November 2014
PLANNING; SHOT LIST
Sound
|
Vision
|
Actors
|
Props
|
Notes
|
||||
Flashback sound
|
India’s head slowly rises, eyes open. She looks left
|
Young Girl
|
Chair
Rope
|
Only see part of her head and her eyes looking around – with a few
bruises on her head. She then has a flashback
|
||||
Footsteps and background noise of road and
public
|
India walking over to gym
|
Young Girl
|
/
|
Only see back of India, walking away from camera. Then cuts back
to India in basement.
|
||||
|
India eyes move to right
|
Young Girl
|
Chair
Rope
|
Close up of her eyes moving to right. She then has another
flashback
|
||||
Little screeching over cloth
|
Jacks arm/hand comes round her mouth and holds cloth (with
chemical on it) and India passes out
|
|
|
|
||||
Audio flashback of Mother shouting at Jack as
a child
|
Jack is looking into the mirror.
|
Male
|
Mirror
|
Jack is very angry when looking in mirror and then smashes it.
|
||||
Voiceover from Mother shouting in visual
flashback
|
Jack takes a piece of the mirror and goes over towards India
|
Male
Young girl
|
Piece of mirror
|
India starts to beg for Jack not to hurt her.
|
||||
Little whimper/ sobbing
|
Jack cutting India’s face
|
Male
Young girl
|
Broken mirror
|
Reaction shot in mirror – only see part of her face
|
||||
Bang on the closing door
|
Jack walks out of the basement door
|
Male
|
/
|
|
||||
|
India tries to reach for a piece of the broken glass
|
Young Girl
|
Piece of broken glass
|
|
||||
Footsteps
|
Jack going up the stairs towards the attic
|
Male
|
/
|
|
||||
Voiceover from news reporter
|
Lady on the news talking about missing girl
|
Woman
|
Microphone
|
Cuts between news reporter and India
|
||||
Cutting of rope
|
India using piece of broken mirror
|
Young Girl
|
Piece of broken mirror
|
|
||||
Voiceover from news reporter
|
Lady on news again
|
Woman
|
Microphone
|
|
||||
Cutting further into rope
|
India using piece of broken mirror
|
Young Girl
|
Piece of broken mirror
|
We see India finally cut through the rope and gets rope off her
wrists
|
||||
Banging on a door
|
A closed basement door
|
/
|
/
|
|
||||
Door flinging open
|
A basement door opening, as a girl runs out – you don’t see her
face
|
Young girl
|
/
|
Young girl is bruised
|
||||
Tense music
|
Over-shoulder shot of girl peering out the basement door – seeing
if the coast is clear.
|
Young girl
|
/
|
|
||||
Footsteps
|
She sneaks then runs (in hallway), we see her feet
|
Young girl
|
/
|
Tracking shot of her feet
|
||||
Footsteps/scraping sound
|
She snatches a mobile phone off a table by the door as she runs
out of the house
|
Young girl
|
Phone on charge on a table by the door.
|
|
||||
Footsteps.
Over voice of news report talking about the
girl.
|
She runs out of the house
|
Young girl
|
/
|
Tracking shot
|
||||
Music / natural sounds
|
Over the shoulder shot of the kidnapper looking at the open door
|
Male
|
/
|
|
||||
Footsteps
|
Running on gravel and woodlands
|
Young girl
|
/
|
Mid-shot pans to the right
|
||||
Branches moving
|
She moves branches with her hands,
|
Young Girl
|
/
|
Leads to flashback.
Camera is her face
|
||||
Tense suspense music
|
Shows her hands are tied up
|
Young Girl
|
Rope, chair
|
FLASHBACK
|
||||
Footsteps
|
Running, low angle shot
|
Young girl
|
/
|
|
||||
|
Midi-shot we see the girls neck, which is bruised and cut
|
Young Girl
|
|
|
||||
Frantic breathing, tense suspense music.
Scream.
|
We see a knife next to the girl’s neck as if she had just been
cut.
|
Young Girl, male hands holding the knife
|
Knife
|
FLASHBACK
|
||||
Footsteps (of Jack)
|
Running, see the girl in front far ahead
|
Young girl
|
/
|
Point of view shot
|
||||
Frantic breathing
|
We see her lips parted
|
Young girl
|
/
|
Leading to flashback
|
||||
Female screaming
|
The man puts a finger to her lips to shush her
|
Young girl, Male hands
|
/
|
FLASHBACK
|
||||
Footsteps coming to stop (India)
|
She stops running,
|
Young girl
|
/
|
|
||||
Breathing,
|
The girl looks around, pulls out the phone
|
Young girl
|
Phone
|
360 shot
|
||||
Phone dial
|
She calls 999
|
Young girl hands
|
Phone
|
Close up
|
||||
Slow footsteps
|
The man walks towards the girl, we see her looking at a phone
|
Young Girl
|
Phone
|
Point of view shot
|
||||
Girl talking on the phone “help me its me
India Hagerman,” she then whimpers
|
We see her on the phone
|
Young Girl
|
Phone
|
Behind shot
|
||||
Heartbeat
|
She turns around. We finally see her face
|
Young girl
|
/
|
Panning shot
|
||||
Tense sound
|
A gun is rising up in the man’s hand
|
Males hand
|
Gun
|
|
||||
Dead phone line
|
Title
|
/
|
/
|
/
|
||||
Dead phone line
|
We see the phone on the floor abandoned
|
|
|
|
||||
“That was India”
|
We see her shocked and worried face
|
Female operator
|
Headset.
|
Reaction shot
|
Subscribe to:
Posts (Atom)